Dangdut () is a genre of Indonesian folk and traditional popular music that is partly derived from Hindustani, Malay, and Arabic music. Dangdut is a very popular genre in Indonesia because of its melodious instrumentation and vocals. Indonesians dance in somewhat similar to the ghoomar while listening to dangdut music, but in a much slower version. Dangdut features a tabla and gendang beat.
Dangdut really has strong Indian music influence from the basis of harmony, instrument, beat, and rhythm. One of the most popular Dangdut musicians and singers such as Rhoma Irama, known as the "King of Dangdut"; Mansyur S.; Meggy Z; and Ellya Khadam include strong Indian-music influence in the basis of harmony, theme, and beat to their songs and also by other popular dangdut singers also.
Dangdut is very popular throughout Indonesia, Malaysia, Singapore, Brunei, and other Malay-speaking lands.
A dangdut band typically consists of a lead singer, male or female, backed by four to eight musicians. Instruments usually include a tabla, gendang, flute, mandolin, guitars, sitar, drum machines, and synthesizers. The term has been expanded from the desert-style music to embrace other musical styles. Modern dangdut incorporates influences from Middle Eastern pop music, Western rock, house music, hip hop music, contemporary R&B, and reggae.
The popularity of Dangdut peaked in the 1990s. By 2012, it was mostly popular in the western parts of Indonesia and not in the eastern parts, apart from Maluku.
Video Dangdut
Development
The term dangdut is a Javanese language onomatopoeia for the sound of the tabla (also known as gendang) drum, which is written dang and ndut. It was reportedly coined by music magazine Aktuil, although Rhoma Irama stated that it was coined as a term of derision by the rich to the music of the poor. Despite its derogatory intent, it was seized upon by those playing it, and the term appears in Rhoma's 1973 dangdut classic Terajana:
- Sulingnya suling bambu - The flute, a bamboo flute
- Gendangnya kulit lembu - The drum, from cow hide
- Dangdut suara gendang rasa ingin berdendang - Dangdut's drum sound makes you want to sing
Dangdut as a term distinguished the music of Javanese from the Orkes Melayu of North Sumatran Malays.
Besides orkes Melayu, the primary musical influence on dangdut was Indian Bollywood music. The song "Terajana" pays homage to the 1959 Bollywood hit "Tera Jana Ke," and though dangdut is primarily written in the Indonesian language, respect was paid to the Indian influence. The next verse of "Terajana" is as follows:
- Terajana... Terajana - Terajana, Terajana
- Ini lagunya... lagu India - This is the song, song of India
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and, by 1972, she was the number-one artist in Indonesia. Her success, with that of Rhoma Irama, meant that by 1975, 75 percent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style.
Maps Dangdut
Culture
Most major cities, especially on Java, have one or more venues that have a dangdut show several times a week. The concerts of major dangdut stars are also broadcast on television.
Beginning in 2003, certain dangdut musicians became the focus of a national controversy in Indonesia regarding performances by singer Inul Daratista which religious conservatives described as pornography. Protests led by dangdut megastar and devout Muslim Rhoma Irama, called for Daratista to be banned from television, and legislation was passed in 2008 by the People's Consultative Assembly that introduced a broad range of activities described as pornography.
The flamboyant performances at some dangdut shows also attracted collateral attention in May 2012 when a row broke out in Indonesia over a planned performance by international star Lady Gaga in Jakarta due to be held in early June 2012. In the face of opposition from conservative Muslim groups in Indonesia, the planned show was cancelled. This cancellation led numerous commentators to note that opposition to Lady Gaga's performances was surprising given the nature of some dangdut shows.
Dangdut remains an integral part of Indonesian life and pop culture despite conservative Muslim concerns over the supposed vulgarity of some performances (such as by Julia Perez).
Because the popularity of the genre, some movies and TV show have dangdut-centered themes, such as Rhoma Irama's movies and Rudy Soedjarwo's Mendadak Dangdut.
People
1970s-1980s
- A. Harris
- Ellya
- Emilia Contessa
- Hasnah Tahar
- Husein Bawafie
- Johana Satar
- M. Mashabi
- Munif Bahaswan
- Said Effendi
- Soneta Group
- A. Rafiq
- Camelia Malik
- Elvy Sukaesih
- Herlina Effendi
- Ida Laila
- Noer Halimah
- Reynold Panggabean
- Rhoma Irama
- Rita Sugiarto
1990s
- Erie Suzan
- Hamdan ATT
- Iis Dahlia
- Ikke Nurjanah
- Ine Sinthya
- Itje Trisnawati
- Iyeth Bustami
- Nur Halimah
- Riza Umami
- Vetty Vera
- Mirnawati
- Minawati Dewi
- Mega Mustika
- Nais Larasati
- Yus Yunus
- Asep Irama
- Lilis Karlina
- Nada Soraya
- Mansyur S.
- Muchsin Alatas
- Abiem Ngesti
- Leo Waldy
- Irvan Mansyur s
- Yulia Citra
- Inul Daratista
Pre-2000s
- Citra Marcelina
- Zaskia Gotik
- Siti Badriah
- Fitri Karlina
- Ira Swara
- Anisa Bahar
- Uut Permatasari
- Nitha Thalia
- Jenita Janet
- Cici Paramida
- Juwita Bahar
- Alam
- Ayu Ting Ting
- Beniqno Aquino
- Dewi Persik
- Melinda
- Saipul Jamil
- Nafa Urbach
- Inul Daratista
- Ridho Rhoma
- Ira Swara
- Trio Macan
- Julia Perez
- Kristina
- Shamila
- Danang D Academy
- Duo Serigala
Post-2000s
- Zaskia Gotik
- Lesti Andryani (Lesti D'Academy)
- Siti Badriah
- Fitri Karlina
- Jenita Janet
- Ayu Ting Ting
- Dewi Persik
- Ridho Rhoma
- Trio Macan
- Julia Perez
- Ikif D Academy
- Ria Amelia
- Cita Citata
- Evi D Academy
- Sendy Ariani (JKT48)
- Siti Rinayanti (JKT48)
- JKT48 Dangdut
- BFA Crew
- Via Vallen
- Nella Kharisma
See also
- Music of Indonesia
- Indo pop
- Gambus
- Campursari
References
External links
- Example of a Dangdut song by Mansyur S
Bibliography
- Andrew N. Weintraub, Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music, Oxford University Press, 2010; ISBN 978-0-19-539567-9
Source of the article : Wikipedia
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